
The 2022 edition of Sundance Film Festival will start on January 20th and end on the 30th. As was announced on their homepage (and we wrote a quick news about it), this year Sundance will be 100% online due to concerns on Covid-19’s variant Omicron.
Sundance is Academy Award Qualifying with the awards Short Film Grand Jury Prize, Short Film Jury Award – US Fiction, Short Film Jury Award – International Fiction, Short Film Jury Award – Animation. Let’s see the short films in program!
Short Films
- $75,000 by Moïse Togo (France, Mali)
- 575 Castro St. by Jenni Olson (USA)
- A Wild Patience Has Taken Me Here by Érica Sarmet (Brazil)
- All Water Has A Perfect Memory by Natalia Almada (USA, Mexico)
- Alone by Garrett Bradley (USA)
- Appendage by Anna Zlokovic (USA)
- Au Revoir Jérôme! (Goodbye Jerome!) by Gabrielle Selnet (France)
- Bestia by Hugo Covarrubias (Chile)
- Boneshaker by Nuotama Frances Bodomo (USA)
- Breathe by Stephen Kang (New Zealand)
- Brotherhood by Meryam Joobeur (Tunisia, USA, Canada, Qatar)
- Bugcrush by Carter Smith (USA)
- Bump by Maziyar Khatam (Canada)
- Butter Lamp by Hu Wei (France, China)
- Champ by Hannah Peterson (USA)
- Chaperone by Sam Max (USA)
- Charlie and the Rabbit by Robert Machoian, Rodrigo Ojeda-Beck (USA)
- Chilly and Milly by William David Caballero (USA)
- Close Ties to Home Country by Akanksha Cruczynski (USA)
- Counterfeit Kunkoo by Reema Maya (aka Reema Sengupta) (India)
- Daddy’s Girl by Lena Hudson (USA)
- Deer Flower by Kangmin Kim (USA, South Korea)
- Deerwoods Deathtrap by James P Gannon (USA)
- Displaced by Samir Karahoda (Kosovo)
- Do No Harm by Roseanne Liang (New Zealand)
- Don’t Go Telling Your Momma by rubberband., Topaz Jones (USA)
- Egúngún (Masquerade) by Olive Nwosu (Nigeria)
- F^¢K ’€M R!GHT B@¢K by Harris Doran (USA)
- Family Remains by Tamara Jenkins (USA)
- FE26 by Kevin Jerome Everson (USA)
- For Nonna Anna by Luis De Filippis (Canada)
- Gesture Down (I Won’t Sing) by Cedar Sherbert (USA)
- Greetings from Africa by Cheryl Dunye (USA)
- Hallelujah by Victor Gabriel (USA)
- Hold Up by Madeleine Olnek (USA)
- Huella by Gabriela Ortega (USA)
- If I Go Will They Miss Me by Walter Thompson-Hernández (USA)
- Kicking the Clouds by Sky Hopinka (USA)
- Kitchen Sink by Alison Maclean (New Zealand)
- La Corona (The Crown) by Amanda Micheli, Isabel Vega (USA)
- Las Palmas by Johannes Nyholm (Sweden)
- Listen to the Beat of Our Images by Audrey Jean-Baptiste, Maxime Jean-Baptiste (French Guyana, France)
- Long Line of Ladies by Rayka Zehtabchi, Shaandiin Tome (USA)
- Love Stories on the Move by Carina Gabriela Dașoveanu (Romania)
- Maidenhood by Xóchitl Enríquez Mendoza (Mexico)
- Makassar is a City for Football Fans by Khozy Rizal (Indonesia, France)
- Meal on the Plate by Chenglin Xie (USA, China)
- Mobilize by Caroline Monnet (Canada)
- More than Two Hours by Ali Asgari (Iran)
- Motorcyclist’s Happiness Won’t Fit into His Suit by Gabriel Herrera (Mexico)
- Night Bus by Joe Hsieh (Taiwan)
- Orthodontics by Mohammadreza Mayghani (Iran)
- Prayers for Sweet Waters by Elijah Ndoumbe (South Africa, United Kingdom)
- Precious Hair & Beauty by John Ogunmuyiwa (United Kingdom)
- Primavera by Tania Claudia Castillo (Mexico)
- Reckless by Pella Kågerman (Sweden)
- Rejected by Don Hertzfeldt (USA)
- Rendang of Death by Percolate Galactic, Andri “Yujin Sick” (Indonesia)
- Sandstorm/Mulaqat by Seemab Gul (Pakistan)
- Shark by Nash Edgerton (Australia)
- Shimásání by Blackhorse Lowe (USA)
- Short Term 12 by Destin Daniel Cretton (USA)
- Sikumi by Andrew Okpeaha MacLean (USA)
- Sister by Siqi Song (USA, China)
- Socrates’ Adventures in the Under Ground by Aria Covamonas (Mexico)
- Soft Animals by Renee Zhan (USA, United Kingdom)
- Solo Un Cargador by Juan Alejandro Ramírez (Peru)
- Spider by Nash Edgerton (Australia)
- Starfuckers by Antonio Marziale (USA)
- Stranger than Rotterdam with Sara Driver by Lewie Kloster, Noah Kloster (USA)
- Sub Eleven Seconds by Bafic (USA)
- Swallow the Universe by Nieto (France)
- Sweet Nothing by Joana Fischer (Switzerland)
- T by Keisha Rae Witherspoon (USA)
- The Hork by Nicole Elizabeth Stafford (USA)
- The Burden by Niki Lindroth von Bahr (Sweden)
- The Fourth Wall by Mahboobeh Kalaee (Iran)
- The Headhunter’s Daughter by Don Josephus Raphael Eblahan (Philippines)
- The Martha Mitchell Effect by Anne Alvergue, Debra McClutchy (USA)
- The Panola Project by Rachael DeCruz (USA)
- The Right Words by Adrian Moyse Dullin (France)
- The Subconscious Art of Graffiti Removal by Matt McCormick (USA)
- Tom Goes to the Bar by Dean Parisot (USA)
- Training Wheels by Alison Rich (USA)
- Trevor by Peggy Rajski (USA)
- Tundra by José Luis Aparicio (Cuba)
- Two Cars, One Night by Taika Waititi (New Zealand)
- Warsha by Dania Bdeir (France, Lebanon)
- Waves ’98 by Ely Dagher (Lebanon, Qatar)
- We Are Here by Doménica Castro, Constanza Castro (USA)
- What Travelers Are Saying About Jornada del Muerto by Hope Tucker (USA)
- While Mortals Sleep by Alex Fofonoff (USA)
- Work by April Maxey (USA)
- Worst Enemy by Lake Bell (USA)
- You Go Girl! by Shariffa Ali (USA)
- You’ve Never Been Completely Honest by Joey Izzo (USA)
- Your Dark Hair Ihsan by Tala Hadid (USA, Morocco)
- Zoon by Jonatan Schwenk (Germany)
- ᎤᏕᏲᏅ (Udeyonv) (What They’ve Been Taught) by Brit Hensel (USA)